{"title":"RME AD\/DA Converter and Audio Interfaces","description":"\u003cp\u003eShop \u003ca title=\"Shop DACs and Amplifiers from our curated selection of brands and models at Audio46.\" href=\"https:\/\/audio46.mom\/collections\/amplifiers-and-dacs\"\u003eAD\/DA Converters\u003c\/a\u003e and Audio Interfaces from RME Audio at Audio46.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eWe carry a range of DA converters and more from RME Audio including the popular \u003ca title=\"Shop for the RME ADI-2 DAC FS Ultra-Fidelity DA Converter at Audio46.\" href=\"https:\/\/audio46.mom\/products\/rme-adi-2-dac-fs-ultra-fidelity-da-converter\"\u003eADI-2 DAC FS\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"javascript:;\" onclick=\"tidioChatApi.display(true);tidioChatApi.open()\"\u003eLive chat\u003c\/a\u003e\u003c\/strong\u003e, \u003cstrong\u003e\u003ca href=\"mailto:info@audio46.mom\"\u003eemail us\u003c\/a\u003e\u003c\/strong\u003e, or call \u003cstrong\u003e\u003ca href=\"tel:1-212-354-6424\"\u003e(212) 354-6424\u003c\/a\u003e\u003c\/strong\u003e during store hours should you need help from our AMP\/DAC experts.\u003c\/p\u003e","products":[{"product_id":"rme-madiface-xt-394-channel-triple-madi-usb-3-0-audio-interface","title":"RME MADIface XT 394-Channel Triple MADI Desktop USB 3.0 Audio Interface","description":"\u003ch3\u003e\u003cstrong\u003eMADI to DAW\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRME's MADIface XT is the world's first USB3 audio interface - and the world's smallest portable interface that provides access to hundreds of audio channels in such a small package.\u003c\/p\u003e\n\u003ch2\u003eConnectivity and Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2 x MADI optical I\/O\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e2 x XLR\/TRS Mic\/Inst\/Line\u003c\/li\u003e\n\u003cli\u003e2 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e1 x RME USB 3.0\u003c\/li\u003e\n\u003cli\u003e4 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eAutoSet Digital Gain Control\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eIncluding FX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eUSB 3.0 for Maximum Channel Count\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor highest usability and connectivity the XT can also be used with USB 2.0 (computer I\/O limited to 70 channels). Its unique PCI Express port connects to External PCI Express cards as well as adapters to Thunderbolt, providing all the fastest interfacing technologies available for maximum channel count and lowest latency in one unit.\u003c\/p\u003e\n\u003cp\u003eTo bring together the most complete I\/O set for live or studio usage, two digitally controlled high end mic\/line preamps, two balanced line outputs and one stereo phones output are included. Full stand-alone operation with remote control over MADI plus TotalMix FX for unlimited mixing, routing and processing open an endless world of possible applications.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe RME MADIface XT is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Analog sources can be connected to a stereo analog input, and 2 stereo analog outputs add full monitoring connectivity. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology. The numerous unique features and well thought-out configuration dialogs put the MADIface XT at the very top of the range of digital audio interfaces.\u003c\/p\u003e\n\u003cp\u003eThe front of the MADIface XT has 2 XLR\/TRS line and microphone inputs, a stereo line\/headphone output, two rotary encoders with push functionality, four menu keys, a graphical colour display, and six status LEDs.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMIC\/LINE INPUTS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Neutrik combo sockets of the two Mic\/Line inputs provide XLR and 6.3 mm \/ 1\/4\" TRS connection. They have LEDs for Signal (SIG), Overload (Clip) and phantom power (48V).\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eHeadphone Output\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eChannels 3\/4 feed the headphone output, which also operates as high-quality unbalanced line output.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe display main screen (Global Level Meters) shows the current state of interface mode (PCIe orange, USB 2 yellow, USB 3 blue), the sync state of MADI and AES inputs, and incoming and outgoing MIDI data.\u003c\/p\u003e\n\u003cp\u003eThe four keys, the two encoders 1 and 2, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings completely without a computer. Help notes and clear markers in the display guide the user through all functions. The rotary encoder 1 and 2 set the monitoring volume of the rear and front output directly at the device.\u003c\/p\u003e\n\u003cp\u003eThe rear panel of the MADIface XT has two balanced analog outputs, word clock I\/O, MADI coaxial I\/O, two MADI optical I\/O, USB 3 port (compatible to USB 2), PCI Express connector, MIDI\/AES I\/O, the power socket and a power switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Line Level Outputs\u003c\/strong\u003e. 2 balanced analog outputs via XLR.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock I\/O\u003c\/strong\u003e. BNC. In menu Options – Clock the input can be set to be terminated with 75 Ohms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMADI I\/O coaxia\u003c\/strong\u003el: Standard coaxial MADI ports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMADI I\/O optica\u003c\/strong\u003el: 2 x standard optical MADI ports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote.\u003c\/strong\u003e Mini-DIN. Connector for the optional remote controls with Volume, Store, Dim and Recall functions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI I\/O and AES\/EBU I\/O.\u003c\/strong\u003e D-sub connector for the included breakout cable with XLR for AES I\/O and 5-pin DIN for MIDI I\/O.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 3.0. USB socket\u003c\/strong\u003e for connection to the computer. USB bus power is not supported. Compatible to USB 2.0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePCI Express.\u003c\/strong\u003e External PCI Express connector for Molex E-PCIe standard cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower (switch)\u003c\/strong\u003e: Turns the MADIface XT on and off.\u003c\/p\u003e\n\u003cp\u003eSocket for power connection. The locking type jack fits the locking type DC connector on the included power supply. After inserting the connector carefully turn it so that it locks.\u003c\/p\u003e\n\u003cp\u003eThe included hi-performance switch mode power supply operates in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ch3\u003eMADIface XT\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInterface for External PCI Express, USB 3.0 and USB 2.0\u003c\/li\u003e\n\u003cli\u003eSample rates: 32 kHz up to 192 kHz, variable (Sync\/word clock)\u003c\/li\u003e\n\u003cli\u003eAnalog input gain range: 60 dB\u003c\/li\u003e\n\u003cli\u003eSNR input: 108 dB RMS unweighted, 111 dBA\u003c\/li\u003e\n\u003cli\u003eSNR output: 112 dB RMS unweigthed, 115 dBA\u003c\/li\u003e\n\u003cli\u003e3 virtual MIDI over MADI I\/Os, one external MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eTotalMix: 4096-channel mixer with 46-bit internal resolution\u003c\/li\u003e\n\u003cli\u003eSteadyClock™: super-stable digital clock, highest jitter suppression\u003c\/li\u003e\n\u003cli\u003eFull stand-alone operation, including MIDI remote control\u003c\/li\u003e\n\u003cli\u003eComes with DIGICheck, RME's ultimate measurement, analysis and test tool\u003c\/li\u003e\n\u003cli\u003ePlease note: MADIface XT is not compatible with RME Rackmount 'RM-19'\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCurrent Compatibility Information:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully compatible to \u003cstrong\u003eIntel's USB 3\u003c\/strong\u003e implementation, which - on current Windows and Mac computers - is part of the chipset. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog\u003c\/li\u003e\n\u003cli\u003eFully compatible to \u003cstrong\u003eAMD's USB 3\u003c\/strong\u003e implementation. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog\u003c\/li\u003e\n\u003cli\u003eFully compatible to \u003cstrong\u003eFresco USB 3\u003c\/strong\u003e. This rarely used chip can be found for example on the Sonnet Tango 3.0 PCIe card\u003c\/li\u003e\n\u003cli\u003eCompatible to \u003cstrong\u003eNEC \/ Renesas USB 3\u003c\/strong\u003e. Real-world performance and error-free operation depend on the firmware version, driver version and the PCB layout of the respective extension card\/motherboard\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eASMedia\u003c\/strong\u003e - not compatible\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEtron EJ168A\u003c\/strong\u003e - not compatible\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTexas TUSB7340\u003c\/strong\u003e - not compatible\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVia VL800\/805\u003c\/strong\u003e - not compatible\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42963477627113,"sku":"MADIface XT","price":2849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/RME_MADIface_XT_Perspective.jpg?v=1759443214"},{"product_id":"rme-digiface-avb-256-channel-192-khz-usb-audio-interface","title":"RME Digiface AVB 256-Channel 192 kHz Desktop USB Audio Interface","description":"\u003cp\u003eDeveloped by RME, Digiface AVB is a glance into the future of audio network technology. The device uses AVB, an open protocol developed by the IEEE, to transfer up to 256 channels of audio between PC and audio network. An additional headphone output allows high quality monitoring.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eConnectivity and Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRME USB 3.0\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003eGigabit Ethernet (802.3 compliant)\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs (Phones)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eExploring new Ways to transport Audio\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRME’s Digiface AVB showcases how audio can be transferred from a Mac or PC into the network and back using the AVB protocol stack. It allows to send up to 128 audio channels for record and playback at 48 kHz \/ 24 bit sampling frequency and 64 channels at 96 kHz (128 channels I\/O AVB) or 32 channels at 192 kHz with quad speed (64 channels I\/O AVB).\u003c\/p\u003e\n\u003cp\u003eChannels are organized in streams of configurable size from 2 to 32 channels, which enables connections to all available AVB audio devices on the market (comprehensive compatibility tests pending). The accompanying software package comprises an AVDECC controller, which provides essential functions to discover all AVB devices in a network and manage connections of incoming and outgoing streams. Basic monitoring capabilities are built in. TotalMix FX enables comprehensive routing and monitoring options.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTotalMix FX and TotalMix Remote\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLike all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.\u003c\/p\u003e\n\u003cp\u003eThe Digiface Series includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.\u003c\/p\u003e\n\u003cp\u003eAdditionally RME’s latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDigiCheck - Test, Measurement and Analysis Tool for Mac \u0026amp; Windows\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also available.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eDigiface AVB\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eGigabit Ethernet Port\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRJ45\u003c\/li\u003e\n\u003cli\u003e100 Mbit\/s, 1 Gbit\/s\u003c\/li\u003e\n\u003cli\u003eStandard port LEDs: yellow connected, green data transmission\u003c\/li\u003e\n\u003cli\u003eSupports straight and crossover cables (Auto MDI-X)\u003c\/li\u003e\n\u003cli\u003eUp to 16 AVB audio streams\u003c\/li\u003e\n\u003cli\u003eAVDECC based exchange of status and control data\u003c\/li\u003e\n\u003cli\u003eNetwork-based remote control of the unit (TotalMix Remote)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eWord Clock In\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, not terminated (10 kOhm)\u003c\/li\u003e\n\u003cli\u003eSwitchable internal termination 75 Ohm\u003c\/li\u003e\n\u003cli\u003eAutomatic Double\/Quad Speed detection and conversion to Single Speed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eWord Clock Out\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBNC\u003c\/li\u003e\n\u003cli\u003eMax level: 5 Vss\u003c\/li\u003e\n\u003cli\u003eLevel with termination 75 Ohm: 4.0 Vss\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 10 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Analog Phones 33\/34\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD @ -1 dBFS: - 96 dB, 0.0016 %\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 100 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, AVB, Word\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1 kHz up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: USB bus power\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 1.5 Watts\u003c\/li\u003e\n\u003cli\u003eCurrent at 5 V bus power operation: 300 mA\u003c\/li\u003e\n\u003cli\u003eMax power consumption: 2 Watts (400 mA)\u003c\/li\u003e\n\u003cli\u003eDimensions (WxHxD): 112 x 26 x 83 mm (4.41\" x 1.02\" x 3.27\")\u003c\/li\u003e\n\u003cli\u003eWeight: 300 g (0.49 lbs)\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42963518718185,"sku":"Digiface AVB","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/RME-Digiface-AVB-Perspective.jpg?v=1762461392"},{"product_id":"rme-digiface-usb-66-channel-192-khz-usb-audio-interface","title":"RME Digiface USB 66-Channel 192 kHz Desktop USB Audio Interface","description":"\u003cp\u003eThe latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB. Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eConnectivity and Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4 x ADAT I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eRME USB 2.0\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs (Phones)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eCompact, portable and lightweight Audio Interface\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Digiface USB is an extremely compact \u0026amp; portable digital audio interface with 4 optical ADAT \/ SPDIF I\/Os, and an analog high-quality line\/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I\/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I\/O, resulting in 32 channels input and output each when using ADAT optical.\u003c\/p\u003e\n\u003cp\u003eThe analog output hosts channels 33\/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).\u003c\/p\u003e\n\u003cp\u003eEach single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFlexible Mixing \u0026amp; Routing with TotalMix\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLike all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSetting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.\u003c\/li\u003e\n\u003cli\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/li\u003e\n\u003cli\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/li\u003e\n\u003cli\u003eSimultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.\u003c\/li\u003e\n\u003cli\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/li\u003e\n\u003cli\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDigiCheck - Test, Measurement and Analysis Tool for Mac \u0026amp; Windows\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also available.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTotalMix FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eRME USB - Transport audio with lowest latency and industry leading stability\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eUse your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for our products. RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eDigiface USB\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eInput Optical ADAT \/ SPDIF\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4 x TOSLINK, format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eStandard: 32 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 16 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 8 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003eLock range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eJitter when synced to input signal: \u0026lt;1 ns\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Optical ADAT \/ SPDIF\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4 x TOSLINK, format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eStandard: 32 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 16 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 8 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Analog Phones 33\/34\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD@-1dBFS:-96dB,0.0016%\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 100 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, ADAT In, SPDIF In\u003c\/li\u003e\n\u003cli\u003eLow Jitter Design: \u0026lt; 1 ns in PLL mode, all inputs\u003c\/li\u003e\n\u003cli\u003eInternal clock: 800 ps Jitter, Random Spread Spectrum\u003c\/li\u003e\n\u003cli\u003eJitter suppression of external clocks: \u0026gt; 30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003ePLL ensures zero dropout, even at more than 100 ns jitter\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: USB bus power\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 1.2 Watts\u003c\/li\u003e\n\u003cli\u003eCurrent at 5 V bus power operation: 230 mA\u003c\/li\u003e\n\u003cli\u003eMax power consumption: below 2 Watts\u003c\/li\u003e\n\u003cli\u003eDimensions (WxHxD): 128 x 22 x 55 mm (5.04\" x 0.87\" x 2.2\")\u003c\/li\u003e\n\u003cli\u003eWeight: 220 g (0.49 lbs)\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42963545129193,"sku":"Digiface USB","price":629.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/RME_Digiface-USB-perspective.jpg?v=1759443220"},{"product_id":"rme-digiface-ravenna-256-channel-192-khz-usb-audio-interface","title":"RME Digiface Ravenna 256-Channel 192 kHz Desktop USB Audio Interface","description":"\u003cp\u003eThe Digiface Ravenna is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.\u003c\/p\u003e\n\u003ch2\u003eConnectivity and Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRME USB 3.0\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003e4 x Gigabit Ethernet (802.3 compliant)\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O coaxial\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs (Phones)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eMobile RAVENNA Solution via USB\u003c\/h2\u003e\n\u003cp\u003eThe combination of RME’s renowned drivers (Mac\/Windows) and DirectOut’s RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.\u003c\/p\u003e\n\u003ch2\u003eRAVENNA \u0026amp; MADI\u003c\/h2\u003e\n\u003cp\u003eRME made the two BNC sockets for word clock I\/O switchable to MADI I\/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio.\u003c\/p\u003e\n\u003cp\u003eOn the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30\/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA\/MADI converter without a USB connection to a computer. The coaxial MADI I\/O connectors may also be configured to work as word clock sync I\/O.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eTotalMix\u003c\/strong\u003e FX and \u003cstrong\u003eTotalMix\u003c\/strong\u003e Remote\u003c\/h2\u003e\n\u003cp\u003eLike all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.\u003c\/p\u003e\n\u003cp\u003eThe Digiface Series includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.\u003c\/p\u003e\n\u003cp\u003eAdditionally RME’s latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003c\/p\u003e\n\u003ch2\u003eMore \u003cstrong\u003eOutstanding\u003c\/strong\u003e Features\u003c\/h2\u003e\n\u003ch3\u003e\n\u003cstrong\u003eTotalMix\u003c\/strong\u003e FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/h3\u003e\n\u003cp\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eRME USB\u003c\/strong\u003e - Transport audio with lowest latency and industry leading stability\u003c\/h3\u003e\n\u003cp\u003eUse your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for our products. RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.\"\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eDigiCheck\u003c\/strong\u003e - The Secret Weapon of High Resolution Audio Measurements\u003c\/h3\u003e\n\u003cp\u003eRME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.\u003c\/p\u003e\n\u003ch2\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGigabit Ethernet Port\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRJ45\u003c\/li\u003e\n\u003cli\u003e100 Mbit\/s, 1 Gbit\/s\u003c\/li\u003e\n\u003cli\u003eStandard port LEDs: yellow connected, green data transmission\u003c\/li\u003e\n\u003cli\u003eSupports straight and crossover cables (Auto MDI-X)\u003c\/li\u003e\n\u003cli\u003eNetwork-based remote control of the unit (TotalMix Remote)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRAVENNA Modul\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports RAVENNA, AES67, ST 2110-30 \/ -31, ST 2022-7\u003c\/li\u003e\n\u003cli\u003eNetwork Layer 3\u003c\/li\u003e\n\u003cli\u003eModes: Switched and Redundancy according to ST 2022-7\u003c\/li\u003e\n\u003cli\u003e32 streams\u003c\/li\u003e\n\u003cli\u003e128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed\u003c\/li\u003e\n\u003cli\u003eClock sources: PTP, Internal\u003c\/li\u003e\n\u003cli\u003eSample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +\/-12.5 %\u003c\/li\u003e\n\u003cli\u003eRouting: Channel-based routing matrix\u003c\/li\u003e\n\u003cli\u003eConfiguration: Browser GUI, globcon control, NMOS IS-04 \/ IS-05\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.2 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eLock range: 25 kHz – 54 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eOutput voltage 400 mVpp\u003c\/li\u003e\n\u003cli\u003eCable length: up to 50 m\u003c\/li\u003e\n\u003cli\u003eGenerates 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX \/ 96k Frame: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Analog Phones 129\/130\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD @ -1 dBFS: - 96 dB, 0.0016 %\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 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remote controllable gains; integrated MADI and Dante connectivity; plus a multitude of additional functionality, designed to make it the perfect companion for any professional recording setup. The 12Mic-D is sonically identical to the already existing 12Mic (with 128 AVB channels) and complements the M-Series lineup of professional network audio solutions.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eTwelve transparent mic preamps\u003c\/strong\u003e for exceptional conversion performance\u003c\/h2\u003e\n\u003cp\u003eThe PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the converter side, the 12Mic shines with an outstanding signal-to-noise ratio on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eMADI \u0026amp; ADAT\u003c\/strong\u003e for maximum flexibility\u003c\/h2\u003e\n\u003cp\u003eIn addition to Dante, the 12Mic-D has two separate MADI ports- with coaxial built into the device as standard, and optical MADI available via an optional SFP module - along with three ADAT outputs and a line level headphone output for monitoring all incoming digital and analog signals. With the help of a routing matrix, any of the 12Mic-D’s 204 input channels can be individually routed to any of the 218 output channels.\u003c\/p\u003e\n\u003cp\u003eWhen connected to a Dante network, a combination of both analog and digital channels (such as connected MADI devices) can be transmitted to the network if required. In return, the 12Mic-D can receive up to 64 audio channels from the Dante network, which in turn can be forwarded to the headphones, ADAT, and two MADI connections as required.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eDante Audio Networking\u003c\/strong\u003e - 2 fully redundant network ports\u003c\/h2\u003e\n\u003cp\u003eWith an ever changing landscape of network audio solutions, the challenge for RME’s development team was to design a highly performant device platform that will guarantee unparalleled flexibility and stability for years to come. To match these high requirements in accordance with RME’s core principles everything was built from the ground up. By integrating Audinate’s Dante IP Core on a\u003cstrong\u003e custom built RME FPGA platform\u003c\/strong\u003e, RME is not only delivering a highly flexible solution but also gets one step closer to achieving a truly universal Audio Networking experience.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003ePlug \u0026amp; play\u003c\/strong\u003e - rapid user interaction\u003c\/h2\u003e\n\u003cp\u003eControl all device states directly from the front panel for convenient, direct access to all features. RME network audio devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!\u003c\/p\u003e\n\u003ch2\u003eMADI SFP Module (Optional)\u003c\/h2\u003e\n\u003cp\u003eThe SFP module extends compatible RME devices with an optical SFP transceiver. Up to 64 audio channels can then be sent to and received from other MADI devices.\u003c\/p\u003e\n\u003cp\u003eThe module is available in a Multi-Mode and in a Single-Mode variant cleary indicated on the module (as MM and SM) and packaging. Since the light transmission and required cabling differs, multi-mode modules can only be used reliably with other multimode MADI devices. The same applies to single-mode, which is less common in MADI systems.\u003c\/p\u003e\n\u003cp\u003eThe SFP module accepts fiber optic cables with LC (Lucent Connector). As the majority of MADI devices requires SC (Square Connectors), this module comes with an adapter cable and SC-SC coupler. This allows the use of existing MADI cables.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe SFP Module can be inserted into the following RME devices:\u003cbr\u003eRME 12Mic\u003cbr\u003eRME AVB Tool\u003cbr\u003eRME M-1610 Pro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SFP Module box contains:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 pc. SFP Module with LC connector\u003c\/li\u003e\n\u003cli\u003e1 pc. 2 m (6.3 ft) fiber optic cable\u003c\/li\u003e\n\u003cli\u003e1 pc SC (female) to SC (female) coupler\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSFP Module Multi Mode: max. cable length (OM-1) 2km, LC duplex receptable\u003cbr\u003eSFP Module Single Mode max. cable length (9\/125) 20km, LC duplex receptable\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eSPECS\u003c\/h2\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eXLR In 1-12:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003eGain range: 75 dB, 1 dB steps\u003c\/li\u003e\n\u003cli\u003eResolution AD: 24 bit\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 8 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 4 Hz – 29.2\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 3 Hz – 43.7\u003c\/li\u003e\n\u003cli\u003eTHD @ 30 dB gain: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N @ 30 dB gain: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): \u0026gt; 117 dB RMS unweighted, \u0026gt; 120 dB(A)\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise (EIN), 30 dB Gain: 123 dB RMS unweighted, 125.5 dB(A) @ 150 Ohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +18 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 75 dB: -57 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTRS In 1-4:\u003cbr\u003e\u003c\/strong\u003eAs above, but:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eTRS jack, balanced\u003c\/li\u003e\n\u003cli\u003eGain range: 42 dB, 1 dB steps\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 8 dB: +20 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 50 dB: -22 dBu\u003c\/li\u003e\n\u003cli\u003eSwitchable high impedance (unbalanced TS): 1 MOhm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDANTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x RJ45 for Dante network connectivity (up to 64 channels)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eOptical via optional SFP module\u003c\/li\u003e\n\u003cli\u003e62.5\/125 and 50\/125 compatible\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eSingle Speed: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e75 ohm Word Clock BNC connectivity\u003c\/li\u003e\n\u003cli\u003eSupport 44.1kHz - 192kHz\u003c\/li\u003e\n\u003cli\u003eSupport full or single speed operation\u003c\/li\u003e\n\u003cli\u003eIntelligent Clock Control switches clock source seamlessly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 x TOSLINK\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 1 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePhones 1\/2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eResolution: 24 Bit\u003c\/li\u003e\n\u003cli\u003eNoise (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 9 Hz – 22 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 9 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 8 Hz - 75 kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -100 dB, \u0026lt; 0.001 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS stereo (unbalanced) or mono (balanced) jack\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: +13 dBu (unbalanced), +19 dBu (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDANTE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x RJ45 for Dante network connectivity (up to 64 channels)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eOptical via optional SFP module\u003c\/li\u003e\n\u003cli\u003e62.5\/125 and 50\/125 compatible\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eSingle Speed: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e75 ohm Word Clock BNC connectivity\u003c\/li\u003e\n\u003cli\u003eSupport 44.1kHz - 192kHz\u003c\/li\u003e\n\u003cli\u003eSupport full or single speed operation\u003c\/li\u003e\n\u003cli\u003eIntelligent Clock Control switches clock source seamlessly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2x RJ45 for Dante® network connectivity \u003cbr\u003eSingle Speed: up to 64 channels 24 bit 48 kHz \u003cbr\u003eDouble Speed: up to 32 channels 24 bit 96 kHz \u003cbr\u003eQuad Speed: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eMADI input redundancy (requires optional SFP module)\u003c\/li\u003e\n\u003cli\u003eInternal routing of up to 268x282 channels\u003c\/li\u003e\n\u003cli\u003e19” enclosure 1 unit height\u003c\/li\u003e\n\u003cli\u003e1,54” full color display with control knob and four buttons for convenient, direct access to all features\u003c\/li\u003e\n\u003cli\u003eRemote control via HTTP \u0026amp; JSON\u003c\/li\u003e\n\u003cli\u003einternal PSU, optional 12V DC redundant power supply\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 (for remote control and firmware updates)\u003c\/li\u003e\n\u003cli\u003eDC-coupled outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHardware Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 440 x 44 x 243 mm (17.3 x 1.7 x 9.6 inches)\u003c\/li\u003e\n\u003cli\u003eWeight: 2.8 kg (6.2 lbs)\u003c\/li\u003e\n\u003cli\u003ePackage: 560 x 315 x 115 mm (22.1 x 12.4 x 4.5 inches)\u003c\/li\u003e\n\u003cli\u003eConformity: CE, FCC, WEEE, RoHS\u003c\/li\u003e\n\u003cli\u003ePower supply: internal 30 W 100-240 V AC, external 12 V 2.5 A DC (optional)\u003c\/li\u003e\n\u003cli\u003ePower consumption: typ. 20 W, standby 0.5W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eAll specifications are subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"No module","offer_id":44148579860713,"sku":"12Mic-D","price":3599.0,"currency_code":"USD","in_stock":true},{"title":"SFP Module Multi Mode","offer_id":44148579893481,"sku":"12Mic-D with SFP Module Multi Mode","price":3798.0,"currency_code":"USD","in_stock":true},{"title":"SFP Module Single Mode","offer_id":44148579926249,"sku":"12Mic-D with SFP Module Single Mode","price":3798.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/RME_12MIC_Perspective.jpg?v=1762463424"},{"product_id":"rme-digiface-dante-usb-audio-interface","title":"RME Digiface Dante 256-Channel 192 kHz Desktop USB Audio Interface","description":"\u003cp\u003eThe Digiface Dante is a lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.\u003c\/p\u003e\n\u003ch2\u003eConnectivity and Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRME USB 3.0\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003e4 x Gigabit Ethernet (802.3 compliant)\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O coaxial\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs (Phones)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAudinate’s Dante protocol combines with the industry-renowned reliability of RME Audio devices\u003c\/h2\u003e\n\u003cp\u003eDante is an audio over IP protocol by Audinate. The Digiface Dante is a USB 3.0 from\/to Dante interface, adding an external and fully mobile option to the internally used Dante PCIe card. Digiface Dante uses RME's matured MADIface Series driver for Windows and macOS, with lowest latency and industry leading stability. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown. Equipped with the largest Dante module 64 channel can be sent and received via network.\u003c\/p\u003e\n\u003cp\u003eRME made the two BNC sockets for word clock I\/O switchable to MADI I\/O, with up to 64 channels. The total sum of Dante and MADI, 128 channels, are transferred via USB 3.0 and handled via both Dante control software and RME's TotalMix FX, for full and struggle-free control of all audio.\u003c\/p\u003e\n\u003ch2\u003eExplore new Ways to transport Audio\u003c\/h2\u003e\n\u003cp\u003eEquipped with two banks of redundant network ports, the Digiface Dante is more than just an audio interface. It also offers the functionality of a switch, connecting up to 4 network lines, removing the need for further switches to distribute and collect network lines, or offers redundancy operation with 2-port connectivity for both the primary and secondary network.\u003c\/p\u003e\n\u003cp\u003eUsed without USB the Digiface Dante automatically turns into a 64-channel Dante \/ MADI converter. The analog stereo output can be preconfigured to send out a mix of exactly those channels that are needed. Full network redundancy and switch functionality are also available. With USB bus power operation and an external power supply connection a stable and redundant power supply is ensured. As Dante has become AES67 compatible, the Digiface Dante supports another format on the network side for even greater flexibility and more applications.\u003c\/p\u003e\n\u003ch2\u003eTotalMix FX and TotalMix Remote\u003c\/h2\u003e\n\u003cp\u003eLike all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.\u003c\/p\u003e\n\u003cp\u003eThe Digiface Series includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.\u003c\/p\u003e\n\u003cp\u003eAdditionally RME’s latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003ch3\u003eDigiCheck - Test, Measurement and Analysis Tool for Mac \u0026amp; Windows\u003c\/h3\u003e\n\u003cp\u003eThe Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also available.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eTotalMix\u003c\/strong\u003e FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/h3\u003e\n\u003cp\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eRME USB\u003c\/strong\u003e - Transport audio with lowest latency and industry leading stability\u003c\/h3\u003e\n\u003cp\u003eUse your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for our products. RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.\"\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eDigiCheck\u003c\/strong\u003e - The Secret Weapon of High Resolution Audio Measurements\u003c\/h3\u003e\n\u003cp\u003eRME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.\u003c\/p\u003e\n\u003ch2\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGigabit Ethernet Port\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRJ45\u003c\/li\u003e\n\u003cli\u003e100 Mbit\/s, 1 Gbit\/s\u003c\/li\u003e\n\u003cli\u003eStandard port LEDs: yellow connected, green data transmission\u003c\/li\u003e\n\u003cli\u003eSupports straight and crossover cables (Auto MDI-X)\u003c\/li\u003e\n\u003cli\u003eNetwork-based remote control of the unit (TotalMix Remote)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.2 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eLock range: 25 kHz – 54 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMADI Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eOutput voltage 400 mVpp\u003c\/li\u003e\n\u003cli\u003eCable length: up to 50 m\u003c\/li\u003e\n\u003cli\u003eGenerates 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX \/ 96k Frame: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock In\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, not terminated (10 kOhm)\u003c\/li\u003e\n\u003cli\u003eSwitchable internal termination 75 Ohm\u003c\/li\u003e\n\u003cli\u003eAutomatic Double\/Quad Speed detection and conversion to Single Speed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC\u003c\/li\u003e\n\u003cli\u003eMax level: 5 Vss\u003c\/li\u003e\n\u003cli\u003eLevel with termination 75 Ohm: 4.0 Vss\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 10 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput Analog Phones 129\/130\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD@-1dBFS:-96dB,0.0016%\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 100 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, Dante, Word, MADI\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1 kHz up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44538325598441,"sku":"DFDANTE","price":1749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/RME-Digiface-Dante-Perspectivecopy.jpg?v=1762464267"}],"url":"https:\/\/audio46.mom\/collections\/rme.oembed","provider":"Audio46 Headphone Store","version":"1.0","type":"link"}