{"product_id":"rme-babyface-pro-fs-audio-interface","title":"RME Babyface PRO FS Audio Interface","description":"\u003cp\u003eALL-NEW 2020 VERSION – What´s new?\u003c\/p\u003e\n\u003ch2\u003eThe best Babyface – period.\u003c\/h2\u003e\n\u003cp\u003eThe new Babyface PRO FS improves all elements: sound quality, MicPres, Instrument inputs, lowest-noise Headphone\/IEM outs and ultra-low latency.\u003c\/p\u003e\n\u003cp\u003eAll elements are industry-leading representatives of its kind – combined in a bus-powered mobile interface, working completely even on a legacy USB port!\u003c\/p\u003e\n\u003cp\u003eThe Babyface PRO FS not only provides RME´s new \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e pro audio clock with FemtoSecond accuracy. The ultra-compact box inherits now the same highest quality analog conversion and headphone preamp technology, like the industry-leading \u003cstrong\u003eADI-2 PRO FS\u003c\/strong\u003e. It comes with an USB-C cable and provides a newly K-Slot for theft protection.\u003c\/p\u003e\n\u003ch2\u003eOverview\u003c\/h2\u003e\n\u003ch3\u003eSteadyClock FS\u003c\/h3\u003e\n\u003cp\u003ePro Audio Clock featuring FemtoSecond Accuracy \u0026amp;complete JITTER Immunity\u003c\/p\u003e\n\u003ch3\u003eThe best AD\/DA Conversion\u003c\/h3\u003e\n\u003cp\u003eThe Highest Quality analog conversion of the industry-leading ADI-2 PRO FS.\u003c\/p\u003e\n\u003ch3\u003eImproved Headphone Outs\u003c\/h3\u003e\n\u003cp\u003eThe world´s lowest noise headphone preamps, built into a mobile audio interface.\u003c\/p\u003e\n\u003ch3\u003eUSB-C + USB2\u003c\/h3\u003e\n\u003cp\u003eThe US-version adds a USB-C connection cable to the package to plug it directly into USB-C ports.\u003c\/p\u003e\n\u003ch3\u003e+19 \/ +4 dBu switch\u003c\/h3\u003e\n\u003cp\u003eOn the bottom – adds a direct way to reduce the output level to improve sound quality.\u003c\/p\u003e\n\u003ch3\u003eImproved MicPres\u003c\/h3\u003e\n\u003cp\u003eThe already outstanding SNR of both MicPres improved to impressive 113.7 dB.\u003c\/p\u003e\n\u003ch3\u003eLow Latency Converters\u003c\/h3\u003e\n\u003cp\u003e6 samples less latency on the AD side by new ADC. It won’t get quicker …\u003c\/p\u003e\n\u003ch3\u003eK-Slot\u003c\/h3\u003e\n\u003cp\u003eNewly integrated for theft protection.\u003c\/p\u003e\n\u003ch2\u003eEvery ingredient: Outstanding.\u003cbr\u003eThe sum: Still fully bus-powered.\u003c\/h2\u003e\n\u003cp\u003eCombining the best mobile MicPres, AD\/DA, Headphone Amps,\u003cbr\u003eMac \u0026amp; Win Drivers and Low-Latency Performance in a single USB-powered interface.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4\/4 Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 Mic Preamps\u003c\/li\u003e\n\u003cli\u003e2 Instrument Input\u003c\/li\u003e\n\u003cli\u003e1 + 1 Headphone\/IEM Out\u003c\/li\u003e\n\u003cli\u003e8\/8 ADAT I\/O Ch.\u003c\/li\u003e\n\u003cli\u003e1 MIDI I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eConnects to USB2 and USB-C (cable included).\u003cbr\u003eAll features working fully bus-powered.\u003c\/p\u003e\n\u003ch2\u003eIncluded\u003c\/h2\u003e\n\u003ch3\u003eScuffham Amps S-GEAR\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar Amps. State of the art.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe best amps for the best mobile interface: S-Gear is a collection of guitar amps, speaker cabinets and effects implemented in software for use with Windows PC or MAC. The software comes as a Standalone Application and as plug-ins for use with the most popular DAWs recording software.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe sound of a boutique tube amp, turned up loud!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe really special thing about S-Gear is the amazing high quality of guitar amp tones achieved simply by plugging your guitar into a computer via an audio interface. S-Gear gives you a professional guitar sound without the expense and hassle. We are talking about the sound of a high quality tube amp, turned up loud, and mic’d up professionally in a suitable acoustic space. S-Gear’s boutique designed amps, coupled with accurate convolution based speaker cabinet emulation, provide a massive range of guitar tones.\u003c\/p\u003e\n\u003ch3\u003eBRAINWORX MASTERING PLUG-INS\u003c\/h3\u003e\n\u003cp\u003eBabyface Pro FS get free access to the full, unlimited versions\u003cbr\u003eof Plugin Alliance’s Brainworx BX Opto and Brainworx BX Masterdesk plug-ins.\u003c\/p\u003e\n\u003ch3\u003eTRIAL PLUG-INS\u003c\/h3\u003e\n\u003cp\u003eBabyface PRO FS users also receive trial versions of Pianoteq 6 by Modartt and the Blue 3 Organ by GG Audio. Rounding out the added offerings, Babyface Pro FS customers will receive a free 14-day, full version of Gig Performer. After which, a special VIP offer applies.\u003c\/p\u003e\n\u003ch3\u003eTotalMix FX\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-End Digital DSP-Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most powerful zero-latency DSP Mixer – built into an audio interface: RME´s TotalMix.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX allows fully independent routing and mixing of all input and playback channels to all physical outputs, which turn into full-featured mixbus channels – unique powerful for an audio interface mixer. These independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eYou can even configure a “mix-minus” setup for your Podcasts, as separate audio sources; you control what guests and listeners hear with no additional cables, mixer or hardware.\u003cbr\u003eMix multiple software applications simultaneously for adding music beds, sound fx, and other desirable audio clips to your podcast.\u003c\/p\u003e\n\u003ch3\u003eEQ, Reverb \u0026amp; Delay\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-quality effects. \u003c\/strong\u003e\u003cstrong\u003eDirectly integrated in every input and output channel \u003c\/strong\u003e\u003cstrong\u003ein TotalMix FX.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOTALMIX FX NETWORK REMOTE CONTROL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFOR WINDOWS, MAC OS and iPad.\u003c\/p\u003e\n\u003cp\u003eThe mix on your finger tips: \u003cstrong\u003eTotalMix FX Net Remote\u003c\/strong\u003e provides full control for the mix via a network connection, including WIFI. All features can be controlled from another computer or a tablet.\u003c\/p\u003e\n\u003cp\u003eAdditionally \u003cstrong\u003eTotalMix FX for iPad\u003c\/strong\u003e adds full control over hardware mixer and DSP effects for the Babyface Pro FS when connected in Class Compliant Mode and lets users create, store and load complete mixes directly from the iPad.\u003c\/p\u003e\n\u003ch3\u003eRME DigiCheck\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision Audio Metering\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eBREATH TAKINGLY PRECISE\u003c\/h2\u003e\n\u003ch3\u003eSteadyClock FS\u003c\/h3\u003e\n\u003cp\u003ePro Audio Clock featuring FemtoSecond Accuracy \u0026amp;complete JITTER Immunity\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClock + AD\/DA:\u003c\/strong\u003e The Babyface PRO FS provides now the same highest quality analog conversion technology, like the industry-leading \u003cstrong\u003eADI-2 PRO FS\u003c\/strong\u003e – as bus-powered, TotalMix FX driven Pro Audio interface.\u003c\/p\u003e\n\u003ch2\u003eTHE WORLD'S LOWEST NOISE HEADPHONE PREAMPS. \u003cstrong\u003eMOBILE!\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eImproved SNR \u0026amp; THD\u003c\/h3\u003e\n\u003cp\u003eBoth headphone outputs provide the High Power \/ Zero Noise design of the industry-leading, reference converter ADI-2 PRO FS now. Lowest Noise achieved!\u003c\/p\u003e\n\u003cp\u003eThe THD of both parallel phones outputs improve by 10 dB. The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.\u003c\/p\u003e\n\u003cp\u003ePristine sonic results, outperforming even well-regarded stand-alone headphone amps, no matter what type of headphone is used!\u003c\/p\u003e\n\u003ch3\u003eAnalog Specifications\u003c\/h3\u003e\n\u003ch3\u003eAD \u0026amp; Microphone\/Line 1-2\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance balanced: 2 kOhm, 5.2 kOhm with PAD\u003c\/li\u003e\n\u003cli\u003eInput impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003eWith PAD active : -0.1 dB 8 Hz, -0.5 dB \u0026lt; 4 Hz, -1 dB \u0026lt; 3 Hz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -112 dB, \u0026lt; 0.00024 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -108 dB, \u0026lt; 0.00035 %\u003c\/li\u003e\n\u003cli\u003eTHD @ 30 dB Gain: \u0026lt; -115 dB, \u0026lt; 0.00016 %\u003c\/li\u003e\n\u003cli\u003eTHD+N @ 30 dB Gain: \u0026lt; -100 dB, \u0026lt; 0.001 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eGain range: -11 dB up to +65 dB\u003c\/li\u003e\n\u003cli\u003eMaximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAD, Line\/Instrument In 3-4\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAs Microphone\/Line 1-2, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: \u0026lt; 3 Hz – 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: \u0026lt; 2 Hz – 92 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum input level @+4 dBu, Gain 0 dB: +13 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level @-10 dBV, Gain 9 dB: -5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDA: Line Out 1-2\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz – 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: – 106 dB, 0.0005 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -102 dB, 0.0008 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput: XLR balanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 300 Ohm balanced, 150 Ohm unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput level @ 0 dBFS: Balanced +19 \/ +4 dBu, unbalanced +13 \/ +7 dBu\u003c\/li\u003e\n\u003cli\u003eDC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDA, Phones 3\/4\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAS DA Line Out, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 10 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +13 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 60 mW\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eNoise level: -101.8 dBu\u003c\/li\u003e\n\u003cli\u003eOutput: 3.5 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 0.1 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +7 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 90 mW\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA\u003c\/li\u003e\n\u003cli\u003eNoise level: -107 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eDigital \u0026amp; MIDI Specifications\u003c\/h3\u003e\n\u003ch3\u003eDigital\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, ADAT In, SPDIF In\u003c\/li\u003e\n\u003cli\u003eJitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003ePLL ensures zero dropout, even at more than 100 ns jitter\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital Inputs\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003eLock Range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock Range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock Range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital Outputs\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eADAT optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eSample rate 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMIDI\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003eHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output 25.3\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003eIdle power consumption: 2.8 Watts\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 3.7 Watts\u003c\/li\u003e\n\u003cli\u003eMax. power consumption: 5.4 Watts\u003c\/li\u003e\n\u003cli\u003eCurrent at 5 V bus power operation: 700 mA (3.7 Watts)\u003c\/li\u003e\n\u003cli\u003eCurrent at 12 V external power: 313 mA (3.7 Watts)\u003c\/li\u003e\n\u003cli\u003eDimensions (WxHxD): 108 x 35 x 181 mm (4.25″ x 1.4″ x 7.1″)\u003c\/li\u003e\n\u003cli\u003eWeight: 680 g ( 1.5 lbs)\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":39614648942782,"sku":"Babyface PRO FS","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/4432\/6771\/products\/rme-babyface-pro-fs-back-perspective.jpg?v=1762458080","url":"https:\/\/audio46.mom\/products\/rme-babyface-pro-fs-audio-interface","provider":"Audio46 Headphone Store","version":"1.0","type":"link"}